On December 2, 2019, Michael Thomas, Artistic Director for the Renaissance, was honored by Broadway’s and Hollywood’s elite at the Ars Nova Ball 2019. He and his writing partner, Jeff Richmond, co-wrote Melancholy Baby which was the first show produced on the Ars Nova stage in 2002.
For the upcoming production of Sweeney Todd: The Demon Barber of Fleet Street in October 2019, Scenic Designer, Jason Kaufman, gave some insights to this extraordinary set build.
Richland county has a special blend of dining options for people of all backgrounds and taste buds! So whether you’re craving Asian, American, or home-style, they got you covered! Here’s a list of places you’re gonna wanna try before attending the next Renaissance event! Continue reading
Reading is a valuable part of everyone’s life, but more importantly, the effect of reading with your children is something that will nurture them the rest of their life. Research has proven time and time again that reading positively develops one’s health across the board – physically, mentally, emotionally, academically… all the -ly’s! In Roald Dahl’s Matilda the Musical, books are a way of escape for Matilda – travel, friends, education, etc. So, here’s Matilda’s “must haves” for your child’s bookshelf!
Ah! The english language – the first subject that I was involved with in school that I excelled at… but also probably one of the worst subjects I was involved with. Unlike many other languages that have a basic format that can be used time and time again and make perfect sense, English continues to confuse people and students alike. In many circumstances, there are different spellings for the same place or thing (grey vs gray, disc vs. disk, ax vs. axe, etc.). For theater (or is it theatre), there are two spellings, but what are the rules when using them? Continue reading
It has taken three long years, but in six weeks a new theatre in Mansfield, OH will be born -Theatre 166, The Black Box Theatre of the Renaissance Performing Arts Association.
I recently read a blog post (for inspiration) which was titled “How to NOT become famous”. This did indeed give me inspiration on the chances of becoming famous, and in particular in the performing arts. This is where the perspiration comes in….
By Nik Demers
I have loved Theatre as far back as I can remember. Whether it’s acting, designing, building sets, stage managing, etc., I love getting to see a show come together from the ground up. Seeing live theatre was what sparked that love for me when I was a little kid, and the first shows I ever saw were right here at The Renaissance Theatre. Despite coming to see many shows over the years, Newsies is the first production I have gotten involved with and I’m so glad that I finally did. It is home to a wonderful and incredibly talented group of people that we are so lucky to have in our community.
by Colleen Cook
When I look around Richland County, I’m in awe of the incredible talent we find at every turn. Simultaneously, I’m shocked when I come across people who have been born and raised here who think they have to leave town for great arts and entertainment. Not being native to North Central Ohio, I’ve got to tell you: you don’t know how good you have it!
For evidence, look no further than our production of The Hunchback of Notre Dame which will have its regional premiere in March on our stage. This show boasts world-class talent on every single plane – not only among the incredible cast (feat. the likes of Ryan Shreve, Maddie Beer, Scott Schag, Colton Penwell, Stephanie Hayslip, Matt Mayer, Patrick Clinage, Jay Reid, and many more).
Most of the talent on our stage and behind the scenes is native to North Central Ohio. Many have moved away for a time and returned, and some have stayed, but they all share one thing: the talent they bring to the arts and culture scene in Mansfield is unmatched.
It’s impossible to talk about our musicals and not rave about our director, Michael Thomas, whose vision and skilled direction of our musical theatre productions simply takes our entire organization to the next level. He shares about his experience writing for television and theatre, as well as his background as a Second City alumnus in this blog post.
Jason Kaufman has designed our remarkable set, hand-carving nine life-size gargoyles, gutters, and grotesques based on the actual design at Cathédrale Notre-Dame in Paris, where the Victor Hugo story is set. Jason is a well-known local artist with pieces featured throughout downtown Mansfield (most notably at Relax It’s Just Coffee) and an upcoming exhibit at La Luna.
This show we also welcome lighting designer Brad Cronenwett, a Shelby native who has worked as a lighting designer for Disney and is currently coming to us from Cirque du Soleil Brazil. (More on his story and vision for the production in next week’s blog.)
Local singer, teacher, and music director Kelly Knowlton, (most recently seen on our stage as Ursula in The Little Mermaid) brings together sixty performers: the cast along with an on-stage choir as well as the first live orchestra accompanying a musical at the Renaissance in seven years. The orchestra, which will include several members of the Domka family, will perform an Academy Award-winning score by Alan Menken and Stephen Schwartz.
Once again, Shannon Maloney returns to share her talent for choreography with our community. Shannon currently lives in New York City, but was raised here in Mansfield and is the daughter of another remarkable individual involved in the production: Dauphne Maloney, who designs and creates the costumes for our musicals.
We’ve barely scratched the surface on how many remarkable professionals have come together to create an unforgettable production. When you look around this region and think for a second that you need to drive an hour or more to see incredible productions, you’ve missed some of the greatest gems sitting right in your back yard. But don’t take my word for it – come to Hunchback on March 3-4, 11-12 and see for yourself.
By Colleen Cook
One of the biggest perks of working at the Renaissance, in my opinion, is that we get to see the shows as a part of our job. I have always been a huge fan of live arts and entertainment, and in some instances a bit picky when it comes to what I consider a well-done performance. My personal favorite genre of live arts is musical theatre.
Having had the opportunity over the years to see hundreds of musicals on stages from Broadway, off-Broadway, regional theatres, community theatres, to schools, I feel confident saying that I truly feel that the Richland Bank Broadway series at the Renaissance is some of the best live theatre around.
As we prepare to open one of the most beautiful shows I know of, The Hunchback of Notre Dame, I find myself reflecting on some of my personal favorites from my past five years employed at the Ren. I’d love to hear what your favorite moments have been, so be sure to comment or tell us on Facebook!
This show was the very first I ever saw on Broadway, and remains one of my most favorite performances at the Renaissance. The cast was truly incredible – every single role was perfection – and the story still makes my heart beat a little fast.
Original productions are one of the most awesome things the Renaissance offers to the community. Our dynamite Artistic Director Michael Thomas brings a wealth of experience and creativity to our stage every time he directs, but it’s on another level when he writes the shows. Hot Mess is screamingly funny while telling a great story with a relevant cultural message. If we did this show every weekend, I’d be in a seat every time.
A Christmas Carol
We performed this show more than a year ago, but I still find myself thinking about it. The setting of the show was stripped down, allowing for the story and the beautifully composed music to shine. I have always liked A Christmas Carol, but this performance made me love it.
Beauty and the Beast
When I think about this production, I remember how delighted my daughter was by the show, how mesmerized I was by the music, but above all, I remember the set. Jason Kaufman and his team built this intricate, lacy false proscenium that still dazzles me when I think of it. The commitment to detail in that show was breathtaking.